Published by Simon & Schuster Australia on 1st April 2017
Source: Netgalley, Publisher
Keeping her secret may save her family.
But telling it may save her life.
Arabella Lane, senior executive at a children’s publisher, is found dead in the Thames on a frosty winter’s morning after the office Christmas party. No one is sure whether she jumped or was pushed. The one person who may know the truth is the newest employee at Parker & Lane – the office temp, Eleanor.
Eleanor has travelled to London to escape the repercussions of her traumatic childhood in outback Australia, but now tragedy seems to follow her wherever she goes. To her horror, she has no memory of the crucial hours leading up to Arabella’s death – memory that will either incriminate or absolve her.
As Eleanor desperately tries to remember her missing hours and uncover the events of that fateful night, her own extended family is dragged further into the dark, terrifying terrain of blame, suspicion and guilt.
Caught in a crossfire of accusations, Eleanor fears she can’t even trust herself, let alone the people around her. And soon, she’ll find herself in a race against time to find out just what happened that night – and discover just how deadly some secrets can be.
When I first saw the blurb for The Hidden Hours, I was extremely intrigued. Murder in a publishing house? I didn’t know I needed that! However instead of a thrilling cutthroat read that would put me off wanting to enter the industry, what I got instead was a bland, frustrating story that left me feeling unfulfilled.
In theory, The Hidden Hours was a great novel – however its execution was the biggest let down. The story follows Eleanor, who has moved to London to escape her traumatic childhood. There, she lives with her freelance architect uncle and his publishing industry bigwig wife, who is able to get Eleanor a PA position to one of the directors. Only a couple of weeks after Eleanor starts at Park & Lane, the marketing director, Arabella, is found dead in the Thames. And with the night of Arabella’s death a blank in Eleanor’s mind, it puts her directly in the crossfire as the mystery unravels, and accusations fly.
It’s hard to enjoy a book with a narrator like Eleanor. From the beginning, she’s a character that doesn’t do an awful lot but mope and whine. Which became old, fast. With this big chunk of her memory missing, rather than buckle up and take an active stance in trying to figure out her movements, she essentially just sat on her bum and complained about it. She blindly follows other peoples questions and manipulations. Basically, she doesn’t think for herself and that was what got me. The rest of the character set were about as uninteresting as each other. I never felt connected to any of them, and in the end I couldn’t really care who had done the crime. Even the little splash of romance felt mundane.
The Hidden Hours is essentially two stories. There’s what’s happening in the present, with Arabella’s death, and the past, which explains the traumatic childhood that has Eleanor fleeing Australia for the comforts of a new city. This seems to be a trend, I’ve noticed, in psychological thrillers. Dual narratives, one of which gives an insight into the main character’s past – and sadly, this doesn’t work for me. The chapters of Eleanor’s childhood were long and drawn out, too much information overload that was unnecessary at times, where you’re just screaming to yourself, Get to the point already! It made me less sympathetic by the end as well.
One thing I did love, however, was at the start of each chapter, you got to read a a snippet of all the different people connected to Arabella’s death – from hotel receptionists, strangers on a bridge, the police…it provided a unique insight into just how many different people were somehow a part of Arabella’s death.
Sadly though, I don’t think I’d be back for more. I’m craving edge of your seat, don’t trust anything, don’t read in the middle of the night psychological thrillers and this one missed the mark more than once.